Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/581004
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DC FieldValueLanguage
dc.creatorBugden, Emma-
dc.date2009-
dc.date.accessioned2017-06-30T05:03:00Z-
dc.date.available2017-06-30T05:03:00Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/581004-
dc.description3 colour-
dc.description1 colour: Wealleans posing in White Waka at his house, September, 2009.-
dc.description.abstract"Does Wealleans offer a daring new perspective on the burdened history of colonialism and orientalism, or does he simply reinscribe tired old stereotypes and historic injustices? Is he simply too offensive, too tacky, too wrong? It's the uncertainty that keeps us watching".-
dc.formatphysical text-
dc.format.extentfeature article-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleI got urges-
prism.volume47-
prism.number2-
dc.identifier.inmagic80518-
dc.subject.articletypeJournal-
dc.subject.artistWealleans, Rohan-
dc.subject.artworkThe road to tomorrow (2009, Rohan Wealleans)-
dc.subject.artworkAlone thing (2008, Rohan Wealleans)-
dc.subject.artworkSlave of the cannibal god, or self portrait in maroon (2007, Rohan Wealleans)-
dc.subject.gettypainting (image-making)-
dc.subject.gettysculpture (visual works)-
dc.subject.gettyinstallations (visual works)-
dc.subject.gettycultural heritage-
dc.subject.gettycolonialism-
dc.subject.localPacific culture-
dcterms.spatial.venueQueensland Art Gallery (Brisbane, Qld.)-
prism.publicationnameArt and Australia-
prism.pagerange320-327-
dc.subject.exhibitionAsia-Pacific Triennial of Contemporary Art (6th : 2009)-
Appears in Collections:INZART: Inmagic collection (utf8)

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