1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Inmagic collection (utf8)
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/583650
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dc.creatorHall, Doug-
dc.creatorTurner, Caroline-
dc.creatorRoberts, Claire-
dc.creatorLynn, Victoria-
dc.creatorThomas, Nicholas-
dc.creatorGibson, Jeff-
dc.creatorMel, Michael-
dc.creatorLeonard, Robert-
dc.creatorSambrani, Chaitanya-
dc.creatorChoy, Lee Weng-
dc.creatorBrunt, Peter-
dc.creatorGibson, Ross-
dc.creatorPereira, Sharmini-
dc.creatorSeear, Lynne-
dc.creatorRaffel, Suhanya-
dc.creatorSnelling, Michael-
dc.creatorJaymanne, Laleen-
dc.creatorRedford, Scott-
dc.creatorEather, Michael-
dc.date2008/09-
dc.date.accessioned2017-06-30T05:07:48Z-
dc.date.available2017-06-30T05:07:48Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/583650-
dc.description24 colour-
dc.description.abstract"As this issue of the Journal raises the question of globalism's influence on the way art history will be written, we thought it would be timely to address the history of the Asia-Pacific Triennial. We asked some participants and observers to comment on the evolution of this unique project".-
dc.formatphysical text-
dc.format.extentfeature article-
dc.format.mediumText-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleThe Asia-Pacific Triennial : A forum-
dc.typeInterview-
prism.volume9-
prism.number1/2-
dc.identifier.inmagic83024-
dc.subject.articletypeJournal-
dc.subject.artistParekowhai, Michael-
dc.subject.artistStevenson, Michael-
dc.subject.artworkWoods III (1991-92, Shigeo Toya)-
dc.subject.artworkThree Comrades (1994, Zhang Xiaogang)-
dc.subject.artworkBlinded by the Light (1991, Yasumasa Morimura)-
dc.subject.artworkAll Stock Must Go! (Dry Run) (1996, Campfire Group)-
dc.subject.artworkPacific - The Ant Farm Project (1996, Yukinori Yanagi)-
dc.subject.artworkDragon or Rainbow Serpent: A Myth Glorified or Feared (Drawings): Project for Extraterrestials (1996, Cai Guo Giang)-
dc.subject.artworkShamiana (1996, Nilima Sheikh)-
dc.subject.artworkKo te Takau (1999, Michael Parekowhai)-
dc.subject.artworkWild Yam (1998, Michael Nelson Jagamara)-
dc.subject.artworkIntroduction to New English Calligraphy (1994-96, Xu Bing)-
dc.subject.artworkChina China - Bust 10 (1998, Ah Xian)-
dc.subject.artworkHi Islander (Hello Native) (1999, Mella Jaarsma)-
dc.subject.artworkUntitled 1 (1995-99, Vong Phaophanit)-
dc.subject.artworkApi di bulan Mei 1988 (Fire in May 1988) (1999, Dadang Christanto)-
dc.subject.artworkJourney of a Yellow Man 13 (1999, Andrea Higgins)-
dc.subject.artworkWith Winds (1990, Lee Ufan)-
dc.subject.artworkLike Our Ancestors (1999). Poster for the Pacific Peoples Project, New Zealand AIDS Foundation Te Tuapapa Mate Araikore o Aotearoa, featuring Phylesha Brown-Acton from the Pasifika Divas.-
dc.subject.artworkSoul under the Moon (2002, Yayoi Kusama)-
dc.subject.artworkTV Cello (2000, Nam June Paik)-
dc.subject.artworkThe Miniature Long March (2002-05, Qin Ga)-
dc.subject.artworkThe Gift (2004-06, Michael Stevenson)-
dc.subject.artworkPainted Vases (2006, Ai Weiwei)-
dc.subject.artworkLa Famille Pomare (1991, Aline Amaru)-
dc.subject.gettycurating-
dc.subject.gettyart history-
dc.subject.gettyidentity-
dc.subject.gettyindigenous art-
dc.subject.localPacific culture-
dc.subject.localAsian art and culture-
dc.subject.localhistory-
dcterms.spatial.venueQueensland Art Gallery (Brisbane, Qld.)-
prism.publicationnameAustralian and New Zealand journal of art-
prism.pagerange189-219-
dc.subject.exhibitionAsia-Pacific Triennial of Contemporary Art-
Appears in Collections:INZART: Inmagic collection (utf8)

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