Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/585009
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DC FieldValueLanguage
dc.date2010-
dc.date.accessioned2017-06-30T05:10:22Z-
dc.date.available2017-06-30T05:10:22Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/585009-
dc.formatphysical text-
dc.format.mediumImage-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleColour Plates-
dc.typePagework-
prism.number4-
dc.identifier.inmagic84321-
dc.subject.articletypeJournal-
dc.subject.artistLyall, John-
dc.subject.artistFurnee, Bettina-
dc.subject.artistCross, David-
dc.subject.artistSrivastava, Armit-
dc.subject.artistLeach, Maddie-
dc.subject.artistNakai, Tsuneo-
dc.subject.artistSmithson, Robert-
dc.subject.artworkTowards an Hyper-Feral Art, Aotearoa: Picketing the Sublime; Given Both A Blue Displacement and an Illuminating Vessel (1997, John Lyall). 1997-
dc.subject.artworkLines of Defence (2005, Bettina Furnee)-
dc.subject.artworkTwo Lines (2008, David Cross). Video still-
dc.subject.artworkAnti-Coke Groundwater Protest, Balia, Uttar Pradesh, 23 October 2007 (2007, Amit Srivastava)-
dc.subject.artworkThe Ice Rink and the Lilac Ship (2002, Maddie Leach). Installation view-
dc.subject.artworkHorizontal Line (1976, Tsuneo Nakai)-
dc.subject.artworkIthaca Mirror Trail, Ithaca, New York (1969, Robert Smithson)-
prism.publicationnameReading room-
prism.pagerange105-112-
Appears in Collections:INZART: Inmagic collection (utf8)

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