Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/585017
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DC FieldValueLanguage
dc.creatorSamuels, Lisa-
dc.date2010-
dc.date.accessioned2017-06-30T05:10:23Z-
dc.date.available2017-06-30T05:10:23Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/585017-
dc.description1 b/w photograph: Red shifts (2001, Maggie O'Sullivan) 1 b/w-
dc.description.abstractA discussion of wetness (or 'membranism') and dryness - "Membranism, then, is wet touch and transfer event of object to body, body to object to body, and mental image (three-dimensoinal, embodied, and active idea) without our wet neural networks. Membranism means to emphasise the contact we sustain with each other and with our objects and events of transaction."-
dc.formatphysical text-
dc.format.extentfeature article-
dc.format.mediumImage-
dc.format.mediumText-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleMembranism, Wet Gaps, Archipelago Poetics-
prism.number4-
dc.identifier.inmagic84329-
dc.subject.articletypeJournal-
dc.subject.artistO'Sullivan, Maggic-
dc.subject.artistBrennan, Stella-
dc.subject.artworkWet Social Sculpture (2005, Stella Brennan)-
prism.publicationnameReading room-
prism.pagerange156-167-
Appears in Collections:INZART: Inmagic collection (utf8)

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