Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/603314
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Douglas, Jessica | - |
dc.date | 2017 | - |
dc.date.accessioned | 2017-07-19T22:00:29Z | - |
dc.date.available | 2017-07-19T22:00:29Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/603314 | - |
dc.description | 3 colour. Includes a screenshot of Jennifer Higgie’s women-focused Instagram account. | - |
dc.description.abstract | Examines why women artists are still not seeing equal representation in both commercial and non-commercial galleries today and how art history has been skewed to feature men more strongly than women. Courtney Johnson, director of the Dowse Art Museum, comments on the strength of generations of women artists in New Zealand and the possibility of revisiting art historical narratives to address the gender imbalance. Questions why the study of women's art is not featured more strongly in university courses and comments on the higher proportion of female students at undergraduate level at Elam and Ilam Schools of Fine Arts. Analyses the gender of artists that have had work acquired by major public art galleries in New Zealand. Argues for more programming and exhibition space dedicated to women artists. Quotes art professionals including Linda Tyler, Anna Miles, and Christina Barton. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | Yes to women | - |
dc.date.updated | 2017-07-19T22:00:30Z | - |
prism.volume | 37 | - |
prism.number | 2 | - |
dc.subject.person | Johnston, Courtney | - |
dc.subject.person | Higgie, Jennifer | - |
dc.subject.person | Miles, Anna | - |
dc.subject.person | Tyler, Linda | - |
dc.subject.person | Barton, Christina | - |
dc.subject.person | Farrar, Sarah | - |
dc.subject.organisation | University of Auckland | - |
dc.subject.organisation | Elam School of Fine Arts (University of Auckland) | - |
dc.subject.organisation | University of Canterbury. School of Fine Arts | - |
dc.subject.articletype | journal | - |
dc.subject.artwork | Glass and Fruit (1954, Louise Henderson) | - |
dc.subject.artwork | Annunciation ([n.d.], Plautilla Nelli) | - |
dc.subject.getty | identity | - |
dc.subject.getty | art market | - |
dc.subject.getty | art history | - |
dc.subject.getty | art galleries (institutions) | - |
dc.subject.getty | art museums (institutions) | - |
dc.subject.getty | feminism | - |
dc.subject.getty | art education | - |
dc.subject.local | art and society | - |
dcterms.spatial.venue | Auckland Art Gallery | - |
dcterms.spatial.venue | Dowse (Lower Hutt, N.Z.) | - |
dcterms.spatial.venue | Dunedin Public Art Gallery | - |
prism.publicationname | Art news (Auckland, N.Z.) | - |
prism.pagerange | 110-112 | - |
prism.issuename | Winter | - |
dc.description.indexer | Selina Foote | - |
Appears in Collections: | INZART: Sword Collection |
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