Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/603478
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dc.contributor.authorIreland, Peter-
dc.date2017-
dc.date.accessioned2017-08-16T23:13:58Z-
dc.date.available2017-08-16T23:13:58Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/603478-
dc.description9 colour-
dc.description.abstractMegan Jenkinson speaks to Peter Ireland about her photographic work. Reflects on the prevailing notion of straight photography in the 1970s, and early explorations into the medium at Elam under the tutelage of Tom Hutchins and John B. Turner. Recalls early international influences including Bea Nettles, who revived hand-made print processes. Discusses collage work form the 1980s and 90s, highlighting the 'Virtues' series. Comments on the 'colour chart' works in relation to an interest in colour, perception and colour theory. Recalls Jenkinson's Antarctic Artist's Fellowship in 2005, and the series 'Antarctica'. Speaks to the 'Atmospheric Objects' and 'Certain Islands' series of lenticular prints and the 'Per Genus et Differentiam (By Kind and Difference)' series (1990), exhibited at the Sydney Biennale. Discusses the artist's first solo show in 1982, 'Rediscovering Galapogas', which took Darwin's theories of evolution as a starting point.-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titleSelf and the World: A Conversation with Megan Jenkinson-
dc.typeInterview-
dc.date.updated2017-08-16T23:13:58Z-
prism.number163-
dc.subject.articletypejournal-
dc.subject.artistJenkinson, Megan-
dc.subject.artworkHumanitas is confronted with the nature of her kind (man is no man, but a wolf, to a stranger) (1996, Megan Jenkinson)-
dc.subject.artworkAcademia walks Aristotle's tightrope between the extremes of getting a job or developing a mind (and seek for truth in the grooves of Academe) (1996, Megan Jenkinson)-
dc.subject.artworkFuture Perfect I (2016, Megan Jenkinson)-
dc.subject.artworkFuture Perfect II (2016, Megan Jenkinson)-
dc.subject.artworkThe Anabasis (2011, Megan Jenkinson)-
dc.subject.artworkParting with Substance ([n.d.], Megan Jenkinson)-
dc.subject.artworkParable of Shadows ([n.d.], Megan Jenkinson)-
dc.subject.artworkWater into Aether IV ([n.d.], Megan Jenkinson)-
dc.subject.gettyphotography-
dc.subject.gettyphotocollages (photographic compositions)-
dcterms.spatial.venueJonathan Smart Gallery (Christchurch, N.Z.)-
dcterms.spatial.venueTwo Rooms (Auckland, N.Z.)-
prism.publicationnameArt New Zealand-
prism.pagerange52-59-
dc.subject.exhibitionFossil Cairn - The Weight of Destiny (2007)-
dc.subject.exhibitionRediscovering Galapogas (1982)-
dc.subject.exhibitionOther Space (2015)-
dc.subject.residencyAntarctic Arts Fellowship (Artists to Antarctica Programme)-
prism.issuenameSpring-
dc.description.indexerSelina Foote-
Appears in Collections:INZART: Sword Collection

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