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https://superindex.lbr.auckland.ac.nz/handle/123456789/603486
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Banbury, Grant | - |
dc.date | 2017 | - |
dc.date.accessioned | 2017-08-18T04:09:45Z | - |
dc.date.available | 2017-08-18T04:09:45Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/603486 | - |
dc.description | 6 colour. Includes 'it's like now' installation view and artist working on a 'performance painting' | - |
dc.description.abstract | Features the work of multi-media artist, Julia Holden, who explores portraiture through combining oil painting, performance, photography and stop-motion animation. Considers the series 'its like now: and incomplete portrait of Christchurch', a suite of paintings based on selfie videos sent to the artist through social media. Discusses Holden's 'performance paintings' where live models are painted in the likeness of subjects from historical paintings. Details the artist's most recent project 'Lyttelton Redux', developed in collaboration with Ngā Taonga Sound & Vision, using local models to create portraits of noted personalities in Lyttelton, presented as a virtual Museum. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Paint and projection: The portraits of Julia Holden | - |
dc.type | Profile | - |
dc.date.updated | 2017-08-18T04:09:46Z | - |
prism.number | 163 | - |
dc.subject.organisation | Ngā Taonga Sound & Vision | - |
dc.description.notes | Artworks discussed but not pictured include the 'I'm Your Fan' series and '38 Days (Part 1)' (2013, Julia Holden). | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Holden, Julia | - |
dc.subject.artist | Baldwin, Audrey | - |
dc.subject.artwork | Betty Curnow (Sue Upritchard after Louise Henderson) (2015, Julia Holden) | - |
dc.subject.artwork | Portrait of Betty Curnow (1954, Louise Henderson) | - |
dc.subject.artwork | Olympia Performance Painting (2016, Julia Holden) | - |
dc.subject.artwork | Te Rangatira: Wheke (2016, Julia Holden) | - |
dc.subject.getty | paintings (visual works) | - |
dc.subject.getty | painting (image-making) | - |
dc.subject.getty | portraits | - |
dc.subject.getty | performance art | - |
dc.subject.getty | art history | - |
dc.subject.getty | collaboration | - |
dcterms.spatial.venue | ArtBox Gallery (Christchurch, N.Z.) | - |
dcterms.spatial.venue | No Vacancy Gallery (Melbourne, Vic.) | - |
dcterms.spatial.venue | Auckland Art Gallery | - |
dcterms.spatial.venue | Lyttelton Museum | - |
prism.publicationname | Art New Zealand | - |
prism.pagerange | 80-83 | - |
dc.subject.exhibition | The Body Laid Bare: Masterpieces from Tate (2017) | - |
prism.issuename | Spring | - |
dc.description.indexer | Selina Foote | - |
Appears in Collections: | INZART: Sword Collection |
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