1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Sword Collection
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/603658
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DC FieldValueLanguage
dc.contributor.authorDibble, Fran-
dc.date01/04/2017-
dc.date.accessioned2017-09-07T02:02:02Z-
dc.date.available2017-09-07T02:02:02Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/603658-
dc.description4 colour-
dc.description.abstract"This year's Wallace had reasonably broad scope – always a sign of good judging – with a range of genres and media. But still there was an emphasis on more strongly graphic painting styles with less realistic narrative and more colours. Neighbouring exhibitions included Roger Mortimer, a winner from a couple years back, who looked so completely different [...] 'Freedom and Structure: Cubism and New Zealand Art 1930-1960', was a stunner, with impressive historical works".-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsThis material is protected by copyright and has been copied for the educational purposes of the University under licence. You may not sell, alter or further reproduce or distribute any part of this coursepack/material to any other person. Where provided to you in electronic format, you may only print from it for your own private study and research. Failure to comply with the terms of this warning may expose you to legal action for copyright infringement and/or disciplinary action by the University.-
dc.source2017_0346-
dc.source.urihttp://www.library.auckland.ac.nz/data/inzart/2017_0346.pdf-
dc.titleNot another one : Prominent awards show a fine mix of media, style and talent-
dc.typeExhibition review-
dc.date.updated2017-09-07T02:02:02Z-
dc.subject.articletypecutting-
dc.subject.artistHemer, André-
dc.subject.artistMortimer, Roger-
dc.subject.artistMcCahon, Colin-
dc.subject.artistTole, Charles Herbert Smales-
dc.subject.artistWeeks, John-
dc.subject.artistHenderson, Louise-
dc.subject.artistMorris, Simon-
dc.subject.artistBlincoe, Jeremy-
dc.subject.artistHa, Wei Lun-
dc.subject.artworkBig Node #10 (2015, Andre Hemer)-
dc.subject.artworkA Whole and Two Halves (2016, Simon Morris)-
dc.subject.artworkTropic of Chaos (2016, Jeremy Blincoe)-
dc.subject.artworkBreathtakingly Fragile (2016, Wei Lun Ha)-
dc.subject.gettyawards-
dc.subject.gettypaintings (visual works)-
dc.subject.gettyphotography-
dc.subject.gettyvideo art-
dc.subject.gettysculpture (visual work)-
dc.subject.gettyCubist-
dc.subject.localceramics-
dcterms.spatial.venuePah Homestead (Auckland, N.Z.)-
dcterms.spatial.venuePataka Porirua Museum of Arts and Cultures-
prism.publicationnameManawatu standard-
prism.pagerange8-
dc.subject.exhibitionWallace Art Awards 2016-
dc.subject.exhibitionFreedom and Structure: Cubism and New Zealand Art 1930-1960 (2017)-
dc.subject.residencyWallace Art Awards-
dc.description.indexerSamantha Doherty-
Appears in Collections:INZART: Sword Collection

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