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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Corballis, Tim | - |
dc.date | 2017-2018 | - |
dc.date.accessioned | 2017-11-15T00:38:54Z | - |
dc.date.available | 2017-11-15T00:38:54Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/603995 | - |
dc.description | 7 colour | - |
dc.description.abstract | Reviews the exhibition 'Occulture: The Dark Arts' at City Gallery Wellington. Explores the themes of magic and the occult central to the exhibition's curatorial focus. Discusses paintings featured in the exhibition by Aleister Crowley and Rosaleen Norton and an international trend acknowledging women occultists in the art world. Describes the eclectic nature of the exhibition, examining works by Fiona Pardington, Leo Benseman, Simon Cuming, Yin-Ju Chen and Dane Mitchell, among others. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Exhibitions : Wellington : 'Occulture: The Dark Arts' | - |
dc.type | Exhibition review | - |
dc.date.updated | 2017-11-15T00:38:54Z | - |
prism.number | 164 | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Pardington, Fiona | - |
dc.subject.artist | Crowley, Aleister | - |
dc.subject.artist | Norton, Rosaleen | - |
dc.subject.artist | Greig, Jason | - |
dc.subject.artist | Chen, Yin-ju | - |
dc.subject.artist | Dwyer, Mikala | - |
dc.subject.artist | Mitchell, Dane | - |
dc.subject.artist | Cooper, Eleanor | - |
dc.subject.artist | Cuming, Simon | - |
dc.subject.artist | Bensemann, Leo | - |
dc.subject.artist | Oursler, Tony | - |
dc.subject.artwork | Altar (2017, Fiona Pardington) | - |
dc.subject.artwork | The Sun (Autoportrait) (1920, Aleister Crowley) | - |
dc.subject.artwork | Celestial Fields (2012, Dane Mitchell) | - |
dc.subject.artwork | Non-Verbal Hand Gestures (2015, Dane Mitchell) | - |
dc.subject.artwork | Lucifer and the Goat of Mendes (1960, Rosaleen Norton) | - |
dc.subject.artwork | Illegitimate Son (2017, Jason Greig) | - |
dc.subject.artwork | Charm for Wall (2016, Mikala Dwyer) | - |
dc.subject.artwork | Liquidation Maps (2014, Yin-Ju Chen) | - |
dc.subject.getty | paintings (visual works) | - |
dc.subject.getty | installations (visual works) | - |
dc.subject.getty | Conceptual | - |
dcterms.spatial.venue | City Gallery Wellington | - |
prism.publicationname | Art New Zealand | - |
prism.pagerange | 47-49 | - |
dc.subject.exhibition | Occulture: The Dark Arts (2017) | - |
prism.issuename | Summer | - |
dc.description.indexer | Selina Foote | - |
Appears in Collections: | INZART: Sword Collection |
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