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https://superindex.lbr.auckland.ac.nz/handle/123456789/604017
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | van Kerkhoff, Sonja | - |
dc.date | 2017-2018 | - |
dc.date.accessioned | 2017-11-21T03:19:52Z | - |
dc.date.available | 2017-11-21T03:19:52Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/604017 | - |
dc.description | 5 colour. Includes installation view of 'All Lines Converge' exhibition | - |
dc.description.abstract | Speaks to an exhibition at the Govett-Brewster Art Gallery entitled 'All Lines Converge' (2016-17), curated by Sophie O'Brien and Chloe Cull. Examines Nova Paul's two-wall video projection, 'Te Wai o te Ora', accompanied by a soundtrack by Dr Waiora Port. Explores two series of portraits by Fiona Clark which depict residents local to the Waitara River and the subsequent importance of the photographs as a political tool in the Motunui-Waitara Treaty of Waitangi Claim (Wai-6). Briefly discusses works by Sonya Lacey, Wendy Bornholdt, Christine Helyar, and Sarah Hudson. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Lines & liminality : 'All Lines Converge' at the Govett-Brewster | - |
dc.type | Exhibition description | - |
dc.type | Exhibition review | - |
dc.date.updated | 2017-11-21T03:19:52Z | - |
prism.number | 164 | - |
dc.subject.person | O'Brien, Sophie | - |
dc.subject.person | Cull, Chloe | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Paul, Joanna Margaret | - |
dc.subject.artist | Paul, Nova | - |
dc.subject.artist | Horner, Maree | - |
dc.subject.artist | Bornholdt, Wendy | - |
dc.subject.artist | Fong, Luise | - |
dc.subject.artist | Lacey, Sonya | - |
dc.subject.artist | et al. | - |
dc.subject.artist | The Estate of L. Budd | - |
dc.subject.artist | Friedlander, Marti | - |
dc.subject.artist | Buist, Sarah | - |
dc.subject.artist | Shannon, Marie | - |
dc.subject.artist | Copeland, Dale | - |
dc.subject.artist | Reihana, Lisa | - |
dc.subject.artist | Hellyar, Christine | - |
dc.subject.artist | Hudson, Sarah | - |
dc.subject.artist | Apelu, Darcell | - |
dc.subject.artwork | Sisterhood (1975, Joanna Margaret Paul) | - |
dc.subject.artwork | Chair (1973, Maree Horner) | - |
dc.subject.artwork | Diving Board (1974/1998, Maree Horner) | - |
dc.subject.artwork | an ocean of in-betweens (2016, Wendy Bornholdt). Detail | - |
dc.subject.artwork | Te Wai o te Ora (2016, Nova Paul). Installation view | - |
dc.subject.artwork | Te Iwi o Te Wāhi Kore (1981, Fiona Clark) | - |
dc.subject.artwork | Ngā Whaea o te Moana (1982, Fiona Clark) | - |
dc.subject.artwork | all things common (2016, et al.) | - |
dc.subject.artwork | AA50011.10016 (1997, Estate of L. Budd) | - |
dc.subject.artwork | Henderson (1966, Marti Friedlander) | - |
dc.subject.getty | video art | - |
dc.subject.getty | photography | - |
dc.subject.getty | sculpture (visual work) | - |
dc.subject.getty | installations (visual works) | - |
dc.subject.getty | portraits | - |
dc.subject.getty | site-specific works | - |
dc.subject.getty | performance art | - |
dc.subject.local | words in art | - |
dc.subject.local | Tiriti o Waitangi - Treaty of Waitangi | - |
dc.subject.maori | reo Māori | - |
dcterms.spatial.venue | Govett-Brewster Art Gallery (New Plymouth, N.Z.) | - |
prism.publicationname | Art New Zealand | - |
prism.pagerange | 76-79 | - |
dc.subject.exhibition | All Lines Converge (2016-2017) | - |
dc.subject.iwi | Te Parawhau (Ngā Puhi) | - |
dc.subject.iwi | Te Uriroroi | - |
dc.subject.iwi | Te Aupouri | - |
dc.subject.iwi | Te Rarawa | - |
dc.subject.iwi | Ngāti Awa | - |
dc.subject.iwi | Ngāi Tūhoe | - |
prism.issuename | Summer | - |
dc.description.indexer | Selina Foote | - |
Appears in Collections: | INZART: Sword Collection |
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