Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/604017
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dc.contributor.authorvan Kerkhoff, Sonja-
dc.date2017-2018-
dc.date.accessioned2017-11-21T03:19:52Z-
dc.date.available2017-11-21T03:19:52Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/604017-
dc.description5 colour. Includes installation view of 'All Lines Converge' exhibition-
dc.description.abstractSpeaks to an exhibition at the Govett-Brewster Art Gallery entitled 'All Lines Converge' (2016-17), curated by Sophie O'Brien and Chloe Cull. Examines Nova Paul's two-wall video projection, 'Te Wai o te Ora', accompanied by a soundtrack by Dr Waiora Port. Explores two series of portraits by Fiona Clark which depict residents local to the Waitara River and the subsequent importance of the photographs as a political tool in the Motunui-Waitara Treaty of Waitangi Claim (Wai-6). Briefly discusses works by Sonya Lacey, Wendy Bornholdt, Christine Helyar, and Sarah Hudson.-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titleLines & liminality : 'All Lines Converge' at the Govett-Brewster-
dc.typeExhibition description-
dc.typeExhibition review-
dc.date.updated2017-11-21T03:19:52Z-
prism.number164-
dc.subject.personO'Brien, Sophie-
dc.subject.personCull, Chloe-
dc.subject.articletypejournal-
dc.subject.artistPaul, Joanna Margaret-
dc.subject.artistPaul, Nova-
dc.subject.artistHorner, Maree-
dc.subject.artistBornholdt, Wendy-
dc.subject.artistFong, Luise-
dc.subject.artistLacey, Sonya-
dc.subject.artistet al.-
dc.subject.artistThe Estate of L. Budd-
dc.subject.artistFriedlander, Marti-
dc.subject.artistBuist, Sarah-
dc.subject.artistShannon, Marie-
dc.subject.artistCopeland, Dale-
dc.subject.artistReihana, Lisa-
dc.subject.artistHellyar, Christine-
dc.subject.artistHudson, Sarah-
dc.subject.artistApelu, Darcell-
dc.subject.artworkSisterhood (1975, Joanna Margaret Paul)-
dc.subject.artworkChair (1973, Maree Horner)-
dc.subject.artworkDiving Board (1974/1998, Maree Horner)-
dc.subject.artworkan ocean of in-betweens (2016, Wendy Bornholdt). Detail-
dc.subject.artworkTe Wai o te Ora (2016, Nova Paul). Installation view-
dc.subject.artworkTe Iwi o Te Wāhi Kore (1981, Fiona Clark)-
dc.subject.artworkNgā Whaea o te Moana (1982, Fiona Clark)-
dc.subject.artworkall things common (2016, et al.)-
dc.subject.artworkAA50011.10016 (1997, Estate of L. Budd)-
dc.subject.artworkHenderson (1966, Marti Friedlander)-
dc.subject.gettyvideo art-
dc.subject.gettyphotography-
dc.subject.gettysculpture (visual work)-
dc.subject.gettyinstallations (visual works)-
dc.subject.gettyportraits-
dc.subject.gettysite-specific works-
dc.subject.gettyperformance art-
dc.subject.localwords in art-
dc.subject.localTiriti o Waitangi - Treaty of Waitangi-
dc.subject.maorireo Māori-
dcterms.spatial.venueGovett-Brewster Art Gallery (New Plymouth, N.Z.)-
prism.publicationnameArt New Zealand-
prism.pagerange76-79-
dc.subject.exhibitionAll Lines Converge (2016-2017)-
dc.subject.iwiTe Parawhau (Ngā Puhi)-
dc.subject.iwiTe Uriroroi-
dc.subject.iwiTe Aupouri-
dc.subject.iwiTe Rarawa-
dc.subject.iwiNgāti Awa-
dc.subject.iwiNgāi Tūhoe-
prism.issuenameSummer-
dc.description.indexerSelina Foote-
Appears in Collections:INZART: Sword Collection

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