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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Feeney, Warren | - |
dc.date | 2017 | - |
dc.date.accessioned | 2018-02-01T00:06:45Z | - |
dc.date.available | 2018-02-01T00:06:45Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/604346 | - |
dc.description | 5 colour | - |
dc.description.abstract | Explores the 2017 SCAPE Public Art Season curated by Heather Galbraith, which brings together projects by ten artists engaging with different understandings and manifestations of time. Briefly mentions highlights of earlier SCAPE programmes. Discusses works by Anton Parsons, Gregor Kregar, Wayne Barrar and British artist Tom Dale. Describes Nina Oberg Humphries' project ''Are Pasifika' which consisted of four weeks of workshops designed to raise the visibility of Pasifika culture in Christchurch. Examines the light work 'KAOKAO' by Robert Jahnke and its reference to tukutuku patterns. Describes a public commission by Seung Yul Oh, to be unveiled in the closing week of the exhibition. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Activated spaces | - |
dc.type | Exhibition description | - |
dc.type | Exhibition review | - |
dc.date.updated | 2018-02-01T00:06:45Z | - |
prism.volume | 37 | - |
prism.number | 4 | - |
dc.subject.person | Galbraith, Heather | - |
dc.subject.person | McCormick, Deborah | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Parsons, Anton | - |
dc.subject.artist | Kregar, Gregor | - |
dc.subject.artist | Barrar, Wayne | - |
dc.subject.artist | Humphries, Nina Oberg | - |
dc.subject.artist | Oh, Seung Yul | - |
dc.subject.artist | Jahnke, Robert | - |
dc.subject.artwork | Terminator T-Rex (2017, Gregor Kregar) | - |
dc.subject.artwork | Acquiesce (2017, Anton Parsons) | - |
dc.subject.artwork | Terminal Blue (2014, Tom Dale) | - |
dc.subject.artwork | In/Visible Landscape (2017, Wayne Barrar) | - |
dc.subject.artwork | Solidarity Grid (2013-15, Mishka Kuball) | - |
dc.subject.getty | public art | - |
dc.subject.getty | sculpture (visual work) | - |
dc.subject.getty | light art | - |
dc.subject.getty | workshops (seminars) | - |
dc.subject.local | Pacific culture | - |
dcterms.spatial.venue | Arts Centre of Christchurch | - |
dcterms.spatial.venue | Canterbury Museum (Christchurch, N.Z.) | - |
prism.publicationname | Art news (Auckland, N.Z.) | - |
prism.pagerange | 102-105 | - |
dc.subject.event | SCAPE | - |
dc.subject.exhibition | SCAPE (2017). Time in Space (territories in flow) | - |
dc.subject.iwi | Te Whānau a Iri Te Kura | - |
dc.subject.iwi | Te Whānau a Rākairoa | - |
prism.issuename | Summer | - |
dc.description.indexer | Selina Foote | - |
Appears in Collections: | INZART: Sword Collection |
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