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https://superindex.lbr.auckland.ac.nz/handle/123456789/604524
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Hacking, Lily | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-04-06T00:01:24Z | - |
dc.date.available | 2018-04-06T00:01:24Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/604524 | - |
dc.description | 7 colour. Includes a studio portrait | - |
dc.description.abstract | Article discusses the object-based practice of Ben Pearce through several exhibitions held in the Hastings region, including an almost "post-apocalyptic" refuge structure based on the story of Paul Jepson of Nelson for 'Life Will Go on Long After Money'. Author considers the artist's use of wood, metal and found objects, through sculptural works that "examine our emotional attachment to objects". | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Meditation on living | - |
dc.type | Profile | - |
dc.date.updated | 2018-04-06T00:01:24Z | - |
prism.volume | 38 | - |
prism.number | 1 | - |
dc.description.notes | Mentions the artist's future exhibition 'The Arrow' (2018) at Milford Galleries Queenstown | - |
dc.description.notes | Mentions the artist's work 'Tell this your fears' (2018), not pictured | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Pearce, Ben | - |
dc.subject.artwork | Life Will Go on Long After Money (2017, Ben Pearce) | - |
dc.subject.artwork | Bedroom (2017, Ben Pearce). Stills | - |
dc.subject.artwork | Six Literal, Consecutive, 24-hour Days (2017, Ben Pearce) | - |
dc.subject.artwork | Being in One Place and Thinking About Another (2017, Ben Pearce) | - |
dc.subject.artwork | Ancestor (2017, Ben Pearce) | - |
dc.subject.artwork | Curse (2010, Ben Pearce) | - |
dc.subject.getty | installations (visual works) | - |
dc.subject.getty | video art | - |
dc.subject.getty | sculpture (visual work) | - |
dc.subject.getty | found objects | - |
dc.subject.getty | assemblages (sculpture) | - |
dcterms.spatial.venue | Parlour Projects (Hastings, N.Z.) | - |
dcterms.spatial.venue | Hastings City Art Gallery | - |
prism.publicationname | Art news (Auckland, N.Z.) | - |
prism.pagerange | 64-67 | - |
dc.subject.exhibition | Everything Remote Intermingles (2017) | - |
dc.subject.exhibition | Tranquility Base (2018) | - |
dc.subject.exhibition | Life Will Go on Long After Money (2017-2018) | - |
prism.issuename | Autumn | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
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