Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/604530
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dc.contributor.authorDunn, Megan-
dc.date2018-
dc.date.accessioned2018-04-06T02:39:16Z-
dc.date.available2018-04-06T02:39:16Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/604530-
dc.description3 colour. Includes view of 'The Little Mermaid' public monument in Copenhagen-
dc.description.abstractDunn discusses Alexis Hunter and her career as a painter, including her work as an illustrator for Disney's The Little Mermaid. Author discusses their own presentation at a conference in Copenhagen on the subject of mermaids. Reflects on the occurrence of mermaids in art.-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titleFeature : Letter from Copenhagen-
dc.date.updated2018-04-06T02:39:16Z-
prism.volume38-
prism.number1-
dc.subject.articletypejournal-
dc.subject.artistHunter, Alexis-
dc.subject.artworkGardien de la Paix (2011, Lena Maria Thüring). Video still-
dc.subject.artworkThe Lure of the Sea (1988, Alexis Hunter)-
dc.subject.gettypainting (image-making)-
dc.subject.gettypaintings (visual works)-
dc.subject.gettyfeminism-
dc.subject.localanimation-
prism.publicationnameArt news (Auckland, N.Z.)-
prism.pagerange76-78-
prism.issuenameAutumn-
dc.description.indexerHuni Mancini-
Appears in Collections:INZART: Sword Collection

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