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https://superindex.lbr.auckland.ac.nz/handle/123456789/604533
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | McKinnon, Julian | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-04-06T03:49:26Z | - |
dc.date.available | 2018-04-06T03:49:26Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/604533 | - |
dc.description | 6 colour. Includes installation views of 'Whakatairangitia rere ki uta, rere ki tai (Proclaim it to the land, proclaim it to the sea' by Kei Uta Collective | - |
dc.description.abstract | Article discusses the issue of climate change through a conversation with three artists responding to this through tangible works. Includes performance and installation artist Brydee Rood whose work was featured in 2017 Performance Art Week Aotearoa; 2017 WADE collaborative project and Christchurch-based sculptor Graham Bennett; and artist-art educator Huhana Smith. Smith speaks about her multi-disciplinary projects working alongside Māori communities, whose show 'This Time of Useful Consciousness - Political Ecology Now' with Kei Uta Collective approached climate change from a mātauranga Māori perspective. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Feature : Come hell or high water | - |
dc.type | Exhibition review | - |
dc.date.updated | 2018-04-06T03:49:27Z | - |
prism.volume | 38 | - |
prism.number | 1 | - |
dc.subject.person | Kei Uta Collective | - |
dc.description.notes | Illustrated artwork/s not titled in source. | - |
dc.description.notes | Article describes Huhana Smith as being of Ngāti Tukorehe and Ngāti Raukawa descent | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Rood, Brydee | - |
dc.subject.artist | Bennett, Graham | - |
dc.subject.artist | Smith, Huhana | - |
dc.subject.artwork | Please Return Me to the Earth, We Are Weather (2017, Brydee Rood). Installation view | - |
dc.subject.artwork | Solar Nap Coal Rest (2017, Brydee Rood). Performance view | - |
dc.subject.artwork | Be It On Our Hands (2017, Graham Bennett). Detail | - |
dc.subject.artwork | Holding On (2015, Angela Tiatia). Still | - |
dc.subject.getty | performance art | - |
dc.subject.getty | installations (visual works) | - |
dc.subject.getty | sculpture (visual work) | - |
dc.subject.getty | art education | - |
dc.subject.getty | ecological art | - |
dc.subject.local | conservation | - |
dc.subject.maori | mātauranga | - |
dcterms.spatial.venue | Dowse (Lower Hutt, N.Z.) | - |
dcterms.spatial.venue | Christchurch Art Gallery | - |
prism.publicationname | Art news (Auckland, N.Z.) | - |
prism.pagerange | 80-84 | - |
dc.description.note | Untitled artworks | - |
dc.subject.event | Performance Art Week Aotearoa | - |
dc.subject.exhibition | This Time of Useful Consciousness - Political Ecology Now (2017) | - |
dc.subject.iwi | Ngāti Raukawa | - |
prism.issuename | Autumn | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
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