Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/604688
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DC FieldValueLanguage
dc.contributor.authorMasters, HG-
dc.date2018-
dc.date.accessioned2018-05-11T00:04:55Z-
dc.date.available2018-05-11T00:04:55Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/604688-
dc.description1 colour-
dc.description.abstractA short article speaking to a conversation between Lisa Reihana and Maud Page in Art and Asia Pacific, issue 21, 1999. Reflects on Reihana's fusion of "Māori heritage with the textures of video art and the politics of black feminism", and 1996 Pacific Sisters video work 'Hyper Girls'. Includes commentary on the collective's response to "the accelerated pace of late-1990s digital entertainment technology" and "reassertion of traditional identities in the newly globalized, pre-millennial era."-
dc.format.extentfull article-
dc.format.extentbrief article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titleThen and now-
dc.typeArticle about an artwork-
dc.date.updated2018-05-11T00:04:55Z-
prism.number108-
dc.subject.articletypejournal-
dc.subject.artistReihana, Lisa-
dc.subject.artistO'Neill, Ani-
dc.subject.artistPacific Sisters-
dc.subject.artworkHyper Girls (1996, Pacific Sisters). Still-
dc.subject.gettyvideo art-
dc.subject.gettyfeminism-
dc.subject.gettyidentity-
dc.subject.localPacific art-
dc.subject.localMāori art-
prism.publicationnameArt and Asia Pacific-
prism.pagerange87-
prism.issuenameMay-
dc.description.indexerHuni Mancini-
Appears in Collections:INZART: Sword Collection

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