Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/604830
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dc.contributor.authorGordon-Smith, Ioana-
dc.date2017-
dc.date.accessioned2018-06-05T02:50:30Z-
dc.date.available2018-06-05T02:50:30Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/604830-
dc.description2 colour-
dc.description.abstractIoana Gordon-Smith discusses the 2017 Honolulu Biennial titled 'Middle of Now/ Here' as having a strong indigenous agenda, and situates the Hawai'in islands (and the wider Pacific) "not as peripheral, but as an essential and resonant nexus point."-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titleHonolulu biennial-
dc.typeExhibition review-
dc.date.updated2018-06-05T02:50:31Z-
dc.subject.articletypejournal-
dc.subject.artistGraham, Brett-
dc.subject.artworkTarget Island and Target Island 2 (2017, Brett Graham). Installation view-
dc.subject.artworkBody of Dead Christ (2016, Greg Semu). Installation view-
dc.subject.gettybiennials (exhibitions)-
dc.subject.localPacific art-
prism.publicationnameTautai Contemporary Pacific Arts Trust newsletter (Online)-
prism.pagerangeunpaginated-
dc.subject.eventHonolulu Biennial-
prism.issuenameMarch-
dc.description.indexerHuni Mancini-
Appears in Collections:INZART: Sword Collection

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