Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/604930
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Byrt, Anthony | - |
dc.contributor.author | Parekōwhai, Michael | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-06-26T00:18:19Z | - |
dc.date.available | 2018-06-26T00:18:19Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/604930 | - |
dc.description | 7 colour. Includes 'Détour' exhibition views | - |
dc.description.abstract | Article discusses Michael Parekōwhai's 'Détour' (2018) at Te Papa, which takes as its starting point Marcel Duchamp's 'Boîte-en-valise' (1961) held within the museum's collection. Discusses Parekōwhai's response through 'Forest Etiquette' (2018), a structure which becomes a provisional framework for several works from Te Papa's collection, including Colin McCahon's 'Northland Panels' (1958) and a Francis Hodgkins work. Essay appends writing by Parekōwhai discussing 'Détour'. Includes discussion of Theo Schoon's toi moko images, selection of poutoti (stilts), and 'building a landscape' in the work 'Forest Etiquette'. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | 1000 words : Michael Parekōwhai | - |
dc.type | Exhibition review | - |
dc.date.updated | 2018-06-26T00:18:19Z | - |
prism.volume | 56 | - |
prism.number | 10 | - |
dc.subject.person | Duchamp, Marcel | - |
dc.subject.person | Schoon, Theo | - |
dc.subject.person | McCahon, Colin | - |
dc.subject.person | Hodgkins, Francis | - |
dc.description.notes | 1 illustration of 'Moon rock sample with presentation plaque and flag (detail)' dated 1972, does not provide artist/provenance. | - |
dc.description.notes | Illustrated artwork/s not titled in source. | - |
dc.description.notes | 2 illustrations of 'Forest Etiquette' displays Theo Schoon studies of toi moko, untitled and dates unknown. | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Parekowhai, Michael | - |
dc.subject.artwork | Forest Etiquette (2018, Michael Parekōwhai) | - |
dc.subject.artwork | Standing on Memory (2018, Michael Parekōwhai) | - |
dc.subject.artwork | Northland Panels (1958, Colin McCahon) | - |
dc.subject.artwork | Boîte-en-valise (1961, Marcel Duchamp) | - |
dc.subject.artwork | Tiki Tour (2018, Michael Parekōwhai) | - |
dc.subject.artwork | Constable Plumb Bob (2018, Michael Parekowhai) | - |
dc.subject.getty | art museums (institutions) | - |
dc.subject.getty | curating | - |
dc.subject.getty | art history | - |
dc.subject.getty | installations (visual works) | - |
dc.subject.getty | sculpture (visual work) | - |
dc.subject.local | Māori art | - |
dc.subject.maori | toi moko | - |
dcterms.spatial.venue | Museum of New Zealand Te Papa Tongarewa (Wellington, N.Z.) | - |
prism.publicationname | Artforum international | - |
prism.pagerange | 264-267 | - |
dc.description.note | Untitled artworks | - |
dc.subject.exhibition | Détour (2018) | - |
dc.subject.iwi | Te Arawa | - |
prism.issuename | Summer | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.