Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/605081
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DC FieldValueLanguage
dc.contributor.authorTappenden, Alice-
dc.date27/03/2018-
dc.date.accessioned2018-07-23T20:56:46Z-
dc.date.available2018-07-23T20:56:46Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/605081-
dc.description5 b/w-
dc.description.abstractArticle discussing the photography practice of Holly Best in relation to the exhibition "An imprecise organisation of forms" (2018). Discusses Best's use of a "cheap" Diana camera and medium format Hasselblad. In contrast to the 'slow' photography movement, author describes her way of working which "privileges a combination of tutored intuition and good luck", and uses a series of methods that "undermines the importance of the photographer's eye." Mentions ongoing work 'A series of disappointments' (2016-).-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titleMassive, exhilarating, and evanescent-
dc.typeArticle about an artwork-
dc.date.updated2018-07-23T20:56:46Z-
prism.number135-
dc.subject.organisationUniversity of Canterbury. School of Fine Arts-
dc.description.notesArticle included in SOFA 135 'Holly Best : An imprecise organisation of forms'-
dc.description.notesIllustrated artwork/s not titled in source.-
dc.subject.articletypejournal-
dc.subject.artistBest, Holly-
dc.subject.gettyphotography (process)-
dc.subject.gettyphotographs-
dcterms.spatial.venueIlam Campus Gallery (University of Canterbury : Christchurch, N.Z.)-
prism.publicationnameSOFA (Christchurch, N.Z.)-
prism.pagerangeunpaginated-
dc.description.noteUntitled artworks-
dc.subject.exhibitionAn imprecise organisation of forms (2018)-
dc.description.indexerHuni Mancini-
Appears in Collections:INZART: Sword Collection

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