Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/605265
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DC FieldValueLanguage
dc.contributor.authorDemircan, Saim-
dc.date2018-
dc.date.accessioned2018-09-16T22:50:08Z-
dc.date.available2018-09-16T22:50:08Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/605265-
dc.description2 colour-
dc.description.abstractReview of Luke Willis Thompson's 35mm film '_Human' (2018) exhibited at Kunsthalle Basel in Germany, exploring the depiction of 'My Mother. My Father. My Sister. My Brother' (1997), a sculptural work by the late artist Donald Rodney. Considers both artists' experience with a degenerative hereditary disease and their efforts to foreground and codify this through their practice, including Thompson's "mechanics of (structural) filmmaking". Considers the work's "dialectic attempt toward an interrelationship as a way to speak to broader issues of racial identity, family, and structural racism in human biology". Mentions the artist's recent moving image works 'Cemetery of Uniforms and Liveries' (2016) and 'Autoportrait' (2017).-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titleHereditary peers-
dc.typeArticle about an artwork-
dc.date.updated2018-09-16T22:50:08Z-
prism.number111-
dc.subject.personRodney, Donald-
dc.subject.articletypejournal-
dc.subject.artistThompson, Luke Willis-
dc.subject.artwork_Human (2018, Luke Willis Thompson). Stills-
dc.subject.gettymotion pictures (visual works)-
dc.subject.gettycolonialism-
dc.subject.gettysculpture (visual work)-
dc.subject.gettyidentity-
dc.subject.localscience-
prism.publicationnameTexte zur kunst-
prism.pagerange198-200-
dc.subject.exhibitionLuke Willis Thompson: _Human (2018)-
prism.issuenameSeptember-
dc.description.indexerHuni Mancini-
Appears in Collections:INZART: Sword Collection

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