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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Shingade, Balamohan | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-09-16T23:20:11Z | - |
dc.date.available | 2018-09-16T23:20:11Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/605266 | - |
dc.description | 6 colour | - |
dc.description.abstract | In this article Balamohan Shingade reflects on the exhibition 'Beyond Transnationalism: The Legacy of Post Independent Art from South Asia' held in Byculla, South Mumbai. Considers the idea of cross-border mobility and transnationalism as a useful framework for discussing artists working within a field that transcends territorial identities or nation-state boundaries. Discusses work by Auckland artist Bepen Bhana included in the exhibition and Bhana's discussion of orientalism and commodification in relation to the celebrity Sajid Khan. Mentions a performance by artist Shivanjani Lal at 'Offstage 7' held at Artspace in Auckland. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Foreign returned : Between expatriate and repatriate Mumbai | - |
dc.type | Exhibition review | - |
dc.date.updated | 2018-09-16T23:20:11Z | - |
prism.volume | 38 | - |
prism.number | 3 | - |
dc.subject.person | Lokhandwala, Arshiya | - |
dc.description.notes | Illustrated artwork/s not titled in source. | - |
dc.description.notes | Article includes a short bio of the author. | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Bhana, Bepen | - |
dc.subject.artwork | Internation Women of Myster II: Amru Sani (2017-18, Shelley Bahl) | - |
dc.subject.artwork | That This Group Must Somehow Form A Family (2013, Bepen Bhana) | - |
dc.subject.artwork | Sajid Khan (forthcoming project) (2013, Bepen Bhana) | - |
dc.subject.artwork | Home is a Foreign Place (1999, Zarina Hashmi) | - |
dc.subject.artwork | No Country (2014, Jaret Vadera) | - |
dc.subject.getty | paintings (visual works) | - |
dc.subject.getty | identity | - |
dc.subject.getty | art theory | - |
dc.subject.local | Asian art and culture | - |
dcterms.spatial.venue | Dr Bhau Daji Lad Museum (Mumbai, India) | - |
prism.publicationname | Artlink | - |
prism.pagerange | 44-49 | - |
dc.description.note | Untitled artworks | - |
dc.subject.exhibition | Beyond Transnationalism: The Legacy of Post Independent Art from South Asia (2018) | - |
prism.issuename | September | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
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