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https://superindex.lbr.auckland.ac.nz/handle/123456789/605281
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Milburn, Felicity | - |
dc.contributor.author | Pohio, Nathan | - |
dc.contributor.author | Hall, Ken | - |
dc.contributor.author | Strongman, Lara | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-09-20T22:53:05Z | - |
dc.date.available | 2018-09-20T22:53:05Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/605281 | - |
dc.description | 4 colour | - |
dc.description.abstract | To mark the 125th anniversary of Women's Suffrage in Aotearoa the Gallery's curators write an essay about four contemporary works by women artists that assert a powerful presence in the collection and explore the charged politics of representation. Felicity Milburn speaks to the work 'Teaching Aid #1: Appropriate brushes for large flower paintings' by Julia Morison; Nathan Pohio speaks to the work 'Sex Trade, Gift for Banks, Dancing Lovers, Sextant Lesson (18550) (19205)' by Lisa Reihana. Ken Hall speaks to the work 'The Charlotte Jane' by Fiona Pardington, and Lara Strongman speaks to the work 'Tena I Ruia' by Robyn Kahukiwa. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Powerfully present | - |
dc.type | Article about an artwork | - |
dc.date.updated | 2018-09-20T22:53:05Z | - |
prism.number | 193 | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Morison, Julia | - |
dc.subject.artist | Reihana, Lisa | - |
dc.subject.artist | Pardington, Fiona | - |
dc.subject.artist | Kahukiwa, Robyn | - |
dc.subject.artwork | Teaching Aid #1: Appropriate brushes for large flower paintings (2001, Julia Morison) | - |
dc.subject.artwork | Sex Trade, Gift for Banks, Dancing Lovers, Sextant Lesson (18550) (19205) (2017, Lisa Reihana) | - |
dc.subject.artwork | The Charlotte Jane (2009, Fiona Pardington) | - |
dc.subject.artwork | Tena I Ruia (1987, Robyn Kahukiwa) | - |
dc.subject.getty | feminism | - |
dc.subject.getty | curators | - |
dc.subject.getty | art galleries (institutions) | - |
dc.subject.getty | collections (object groupings) | - |
dc.subject.local | Māori art | - |
dcterms.spatial.venue | Christchurch Art Gallery | - |
prism.publicationname | Bulletin / Christchurch Art Gallery | - |
prism.pagerange | 32-41 | - |
prism.issuename | Spring | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
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