Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/605287
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Curnow, Wystan | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-09-24T01:09:52Z | - |
dc.date.available | 2018-09-24T01:09:52Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/605287 | - |
dc.description | 5 colour | - |
dc.description | 1 b/w portrait: Colin McCahon | - |
dc.description.abstract | Article reflects on the early career of painter Colin McCahon. Discusses McCahon's religious paintings from this period and his views on Christianity. Considers his involvement with the Christian Socialist Pacifist movement, resistance to the war and his friendships with Toss Woollaston and Rodney Kennedy. Considers his views on painting traditions. Describes in detail works from this period, discussing their crude "proto-punk" style and "popular culture" influence including references to cartoons and comics. Mentions locations McCahon and his wife Anne Hamblett settled into and visited with their friends and contemporaries. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Salvation Army aesthetics: The politics of Colin McCahon's "early religious paintings" | - |
dc.type | Profile | - |
dc.date.updated | 2018-09-24T01:09:53Z | - |
prism.number | 8 | - |
dc.subject.person | Kennedy, Rodney | - |
dc.subject.person | Hamblett, Anne | - |
dc.description.notes | Illustrated artwork/s not titled in source. | - |
dc.description.notes | Article appears in Reading Room issue 08, 'Politics in Denial'. | - |
dc.subject.articletype | journal | - |
dc.subject.artist | McCahon, Colin | - |
dc.subject.artist | Woollaston, Toss | - |
dc.subject.artwork | The Apple Pickers (1944, Rita Angus) | - |
dc.subject.artwork | Canterbury Plains (1950-1952, Colin McCahon) | - |
dc.subject.artwork | I Paul to you at Ngatimoti (1946, Colin McCahon) | - |
dc.subject.artwork | Crucifixion according to St Mark (1947, Colin McCahon) | - |
dc.subject.getty | paintings (visual works) | - |
dc.subject.getty | landscapes (representations) | - |
dc.subject.getty | politics | - |
dc.subject.local | religion in art | - |
dc.subject.local | art historians and writers | - |
dc.subject.local | war | - |
prism.publicationname | Reading room | - |
prism.pagerange | 8-29 | - |
dc.description.note | Untitled artworks | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.