Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/605291
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DC FieldValueLanguage
dc.contributor.authorHubbard, George-
dc.date2018-
dc.date.accessioned2018-09-26T04:08:17Z-
dc.date.available2018-09-26T04:08:17Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/605291-
dc.description6 b/w-
dc.description6 colour-
dc.description.abstractIn this unpublished article written for the 'Korurangi' exhibition catalogue, curator George Hubbard discusses the effects of contemporary Māori art exhibitions administered by Pākehā institutions. Considers the exhibitions 'Te Maori' (1984), 'Taonga Maori: Treasures of the New Zealand Maori People' (1989-90), and 'Cultural Safety'.-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titleSystems of survival-
dc.date.updated2018-09-26T04:08:18Z-
prism.number8-
dc.subject.personHubbard, George-
dc.description.notesIllustrated artwork/s not titled in source.-
dc.description.notesArticle appears in Reading Room issue 08, 'Politics in Denial'.-
dc.subject.articletypejournal-
dc.subject.artistFraser, Jacqueline-
dc.subject.artistParekowhai, Michael-
dc.subject.artistRobinson, Peter-
dc.subject.gettycurators-
dc.subject.gettycurating-
dc.subject.gettyadministration-
dc.subject.localMāori art-
prism.publicationnameReading room-
prism.pagerange55-67-
dc.description.noteUntitled artworks-
dc.description.indexerHuni Mancini-
Appears in Collections:INZART: Sword Collection

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