Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/605291
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Hubbard, George | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-09-26T04:08:17Z | - |
dc.date.available | 2018-09-26T04:08:17Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/605291 | - |
dc.description | 6 b/w | - |
dc.description | 6 colour | - |
dc.description.abstract | In this unpublished article written for the 'Korurangi' exhibition catalogue, curator George Hubbard discusses the effects of contemporary Māori art exhibitions administered by Pākehā institutions. Considers the exhibitions 'Te Maori' (1984), 'Taonga Maori: Treasures of the New Zealand Maori People' (1989-90), and 'Cultural Safety'. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Systems of survival | - |
dc.date.updated | 2018-09-26T04:08:18Z | - |
prism.number | 8 | - |
dc.subject.person | Hubbard, George | - |
dc.description.notes | Illustrated artwork/s not titled in source. | - |
dc.description.notes | Article appears in Reading Room issue 08, 'Politics in Denial'. | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Fraser, Jacqueline | - |
dc.subject.artist | Parekowhai, Michael | - |
dc.subject.artist | Robinson, Peter | - |
dc.subject.getty | curators | - |
dc.subject.getty | curating | - |
dc.subject.getty | administration | - |
dc.subject.local | Māori art | - |
prism.publicationname | Reading room | - |
prism.pagerange | 55-67 | - |
dc.description.note | Untitled artworks | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.