Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/605293
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DC FieldValueLanguage
dc.contributor.authorCorbet, David-
dc.date2018-
dc.date.accessioned2018-10-01T01:46:19Z-
dc.date.available2018-10-01T01:46:19Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/605293-
dc.description24 colour-
dc.description5 b/w-
dc.description.abstractArticle discussing how the exhibitionary complex is responding to identity in contemporary cultural production from an Australian perspective. Mentions artist Lisa Reihana who represented Aotearoa/New Zealand at the Venice Biennale.-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titlePersonal, political, public : Reflections on difference, diversity and representation in the era of the global contemporary-
dc.typeExhibition review-
dc.date.updated2018-10-01T01:46:20Z-
prism.number89-
dc.description.notesIllustrated artwork/s not titled in source.-
dc.subject.articletypejournal-
dc.subject.artistReihana, Lisa-
dc.subject.gettyindigenous art-
dc.subject.gettybiennials (exhibitions)-
dc.subject.localMāori art-
prism.publicationnameEyeline-
prism.pagerange55-65-
dc.description.noteUntitled artworks-
dc.description.indexerHuni Mancini-
Appears in Collections:INZART: Sword Collection

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