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DC Field | Value | Language |
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dc.contributor.author | Conland, Natasha | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-10-03T03:03:50Z | - |
dc.date.available | 2018-10-03T03:03:50Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/605296 | - |
dc.description | 7 colour | - |
dc.description | 2 b/w | - |
dc.description.abstract | Article speaks to the installation-based practice of art collective et al. Considers their focus on "the aesthetics and architecture of the institution", and use of two interrelated devices within their works: "the construction or "structuring" of matter via the aesthetics of the institution, and the strategy of "play" as a destabilising force." Discusses their works 'simultaneous invalidations_second attempt' (2000-01), 'abnormal mass delusions?' (2003), 'the fundamental practice' (2005), 'restricted access' (2004) 'Maintenance of Social Solidarity' (2006-), 'that's obvious, that's right, that's true' (2009) and 'many-to-many' (2013), as well as photographic works by Minerva Betts. Contains biographical information about the artists and instability of their pseudonym. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | The politics of erasure: The artists et al. | - |
dc.type | Profile | - |
dc.date.updated | 2018-10-03T03:03:50Z | - |
prism.number | 8 | - |
dc.description.notes | Article appears in Reading Room issue 08, 'Politics in Denial'. | - |
dc.subject.articletype | journal | - |
dc.subject.artist | et al. | - |
dc.subject.artist | Budd, L. | - |
dc.subject.artist | Betts, Minerva | - |
dc.subject.artist | Mule, P. | - |
dc.subject.artwork | simultaneous invalidations_second attempt (2000-01, et al.). Installation view | - |
dc.subject.artwork | restricted access (2003, et al.). Installation view | - |
dc.subject.artwork | abnormal mass delusions? (2003, et al.). Installation view | - |
dc.subject.artwork | Untitled (1) ([n.d.], Minerva Betts) | - |
dc.subject.artwork | Untitled (2) (1975, Minerva Betts) | - |
dc.subject.artwork | Lionel, X50933.1015 (2010, Estate of L. Budd) | - |
dc.subject.artwork | the fundamental practice (2005, et al.). Installation view | - |
dc.subject.artwork | Maintenance of Social Solidarity (2006, et al.). Installation view | - |
dc.subject.artwork | many_to_many (2013, et al.). Installation view | - |
dc.subject.getty | assemblages (sculpture) | - |
dc.subject.getty | site-specific works | - |
dc.subject.getty | installations (visual works) | - |
dc.subject.getty | artists' collectives | - |
dc.subject.getty | identity | - |
dc.subject.getty | feminism | - |
dc.subject.getty | biennials (exhibitions) | - |
prism.publicationname | Reading room | - |
prism.pagerange | 86-103 | - |
dc.subject.event | Biennale di Venezia | - |
dc.subject.residency | Walters Prize | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
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