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https://superindex.lbr.auckland.ac.nz/handle/123456789/605337
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Paton, Kim | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-11-07T23:02:32Z | - |
dc.date.available | 2018-11-07T23:02:32Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/605337 | - |
dc.description | 1 colour | - |
dc.description.abstract | Article speaks to artist Virginia Leonard's ceramic sculpture practice and her mixed-media work 'All I want is a facelift' (2018), commissioned by Objectspace. Considers how her works defy categorisation, situated at the borderline between "the contemporary art vs. craft divide." Discusses the context of ceramics' "long held anti-intellectualism and determined empiricism" leading to marginalisation within the contemporary art world. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | 'All I Want is a Face Lift' | - |
dc.date.updated | 2018-11-07T23:02:32Z | - |
prism.volume | 1 | - |
prism.number | 2 | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Leonard, Virginia | - |
dc.subject.artwork | All I Want is a Face Lift (2018, Virginia Leonard) | - |
dc.subject.getty | art theory | - |
dc.subject.getty | crafts (art genres) | - |
dc.subject.getty | sculpture (visual works) | - |
dc.subject.getty | mixed media | - |
dc.subject.local | ceramics | - |
dcterms.spatial.venue | Objectspace (Auckland, N.Z.) | - |
prism.publicationname | Ceramics New Zealand | - |
prism.pagerange | 10-11 | - |
prism.issuename | Spring | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
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