Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/605337
Full metadata record
DC FieldValueLanguage
dc.contributor.authorPaton, Kim-
dc.date2018-
dc.date.accessioned2018-11-07T23:02:32Z-
dc.date.available2018-11-07T23:02:32Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/605337-
dc.description1 colour-
dc.description.abstractArticle speaks to artist Virginia Leonard's ceramic sculpture practice and her mixed-media work 'All I want is a facelift' (2018), commissioned by Objectspace. Considers how her works defy categorisation, situated at the borderline between "the contemporary art vs. craft divide." Discusses the context of ceramics' "long held anti-intellectualism and determined empiricism" leading to marginalisation within the contemporary art world.-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.title'All I Want is a Face Lift'-
dc.date.updated2018-11-07T23:02:32Z-
prism.volume1-
prism.number2-
dc.subject.articletypejournal-
dc.subject.artistLeonard, Virginia-
dc.subject.artworkAll I Want is a Face Lift (2018, Virginia Leonard)-
dc.subject.gettyart theory-
dc.subject.gettycrafts (art genres)-
dc.subject.gettysculpture (visual works)-
dc.subject.gettymixed media-
dc.subject.localceramics-
dcterms.spatial.venueObjectspace (Auckland, N.Z.)-
prism.publicationnameCeramics New Zealand-
prism.pagerange10-11-
prism.issuenameSpring-
dc.description.indexerHuni Mancini-
Appears in Collections:INZART: Sword Collection

Files in This Item:
There are no files associated with this item.


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.