Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/605362
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Wolfe, Richard | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-11-18T21:28:42Z | - |
dc.date.available | 2018-11-18T21:28:42Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/605362 | - |
dc.description | 5 b/w | - |
dc.description | 2 colour | - |
dc.description.abstract | Review of a book by Roger Blackley (Auckland University Press, 2018) which examines early New Zealand art galleries and their role in the complex relationships between Māori cultural objects, images and the concept of Māoriland. Considers how Māori culture was used by colonial artists and institutions to forge a distinctive Pākehā identity, and Māori engagement not only as subjects but also as patrons, collectors and audiences. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Books : 'Galleries of Maoriland: Artists, Collectors and the Maori World, 1880-1910' | - |
dc.type | Book review | - |
dc.date.updated | 2018-11-18T21:28:42Z | - |
prism.number | 168 | - |
dc.subject.person | Mane-Wheoki, Jonathan | - |
dc.subject.person | Tregear, Edward | - |
dc.subject.person | Cook, Captain James | - |
dc.subject.person | King Tawhiao | - |
dc.description.notes | Illustrated artwork/s not titled in source. | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Goldie, Charles Frederick | - |
dc.subject.artist | Lindauer, Gottfried | - |
dc.subject.artist | Steele, Louis J. | - |
dc.subject.artist | Watkins, Kennett | - |
dc.subject.artist | Illingworth, Nelson | - |
dc.subject.artist | Lloyd, Trevor | - |
dc.subject.artwork | Charles F. Goldie in his Studio with Patara Te Tuhi (1901, Edwards Studio) | - |
dc.subject.artwork | Still Life (1886, Charles F. Goldie) | - |
dc.subject.artwork | Nelson Illingworth Modelling Hepi Kahotea Te Heuheu (1908, Augustus Hamilton) | - |
dc.subject.artwork | Displays at the Hawke's Bay Philosophical Institute, Napier (c.1888, William Williams) | - |
dc.subject.artwork | Drawings of Fakes ([n.d.], Trevor Lloyd) | - |
dc.subject.artwork | King Tawhiao, 21 July 1884 ([n.d.], Josiah Martin) | - |
dc.subject.getty | portraits | - |
dc.subject.getty | paintings (visual works) | - |
dc.subject.getty | art museums (institutions) | - |
dc.subject.getty | art galleries (institutions) | - |
dc.subject.getty | art history | - |
dc.subject.getty | colonialism | - |
dc.subject.getty | photographs | - |
dc.subject.local | Māori in art | - |
dc.subject.local | Māori culture | - |
prism.publicationname | Art New Zealand | - |
prism.pagerange | 107-109 | - |
dc.description.note | Untitled artworks | - |
prism.issuename | Summer | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
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