Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/605438
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DC FieldValueLanguage
dc.contributor.authorThwaites, Denise-
dc.date2018-
dc.date.accessioned2018-12-10T22:08:52Z-
dc.date.available2018-12-10T22:08:52Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/605438-
dc.description7 colour-
dc.description1 b/w-
dc.description.abstractArticle discusses digital artists Jess Johnson and Simon Ward in relation to virtual reality and the emphasis on perspective in visual culture. Considers emergent visual regimes enabled by VR technologies as well as their consequences through a discussion of 'Terminus', shown as part of the Balnaves Contemporary Intervention Series at the National Gallery of Australia.-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titleWays of (not) seeing : Structures of visibility in VR-
dc.typeArticle about an artwork-
dc.date.updated2018-12-10T22:08:53Z-
prism.volume38-
prism.number4-
dc.subject.personBerger, John-
dc.subject.articletypejournal-
dc.subject.artistJohnson, Jess-
dc.subject.artistWard, Simon-
dc.subject.artworkKnown Unknown (2018, Jess Johnson and Simon Ward). Still-
dc.subject.gettymixed media-
dc.subject.gettyart theory-
dc.subject.gettyart criticism-
dc.subject.gettyart history-
dc.subject.localtechnology-
dc.subject.localdigital art-
dc.subject.localnew media-
dcterms.spatial.venueNational Gallery of Australia-
prism.publicationnameArtlink-
prism.pagerange28-35-
dc.subject.exhibitionTerminus (2018)-
prism.issuenameDecember-
dc.description.indexerHuni Mancini-
Appears in Collections:INZART: Sword Collection

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