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https://superindex.lbr.auckland.ac.nz/handle/123456789/513292
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DC Field | Value | Language |
---|---|---|
dc.creator | King, Julie | - |
dc.date | 1999 | - |
dc.date.accessioned | 2017-06-30T02:57:55Z | - |
dc.date.available | 2017-06-30T02:57:55Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/513292 | - |
dc.description | 5 b/w | - |
dc.description | 2 colour. Includes exhibition display. | - |
dc.description.abstract | "Dreams are such stuff that lives are made of - those of counties and of peoples - at least, according to Te Papa's opening and touring exhibition, 'Dream Collectors: 100 Years of Art in New Zealand'. Developed in partnership with Auckland Art Gallery Toi o Tamaki, 'Dream Collectors' sought to celebrate the richness and complexity of art in New Zealand by focusing on artists and collectors whose dreams (read art) have shaped our national culture. Neither the traditional survey nor a conventional display of art treasures, it was closer to an anthology of 120 or more artworks compiled around themes from New Zealand's private and public histories." | - |
dc.format | physical text | - |
dc.format.medium | Text | - |
dc.format.medium | Image | - |
dc.language | English | - |
dc.publisher | INZART/The University of Auckland Library=Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply | - |
dc.title | Displaying our dreams: Te Papa's 'Dream Collectors' | - |
dc.type | Exhibition Review | - |
prism.number | 91 | - |
dc.subject.organisation | Auckland Art Gallery | - |
dc.description.notes | Article discusses the 'arguably problematic' juxtaposition of colonial paintings with indigenous art, bringing together works from different historical periods and cultural contexts. | - |
dc.identifier.inmagic | 205687 | - |
dc.subject.articletype | Journal | - |
dc.subject.artist | Velpy, Ellen Penelope | - |
dc.subject.artist | Chevalier, Nicholas | - |
dc.subject.artist | Guérard, Eugen von | - |
dc.subject.artist | Blomfield, Charles | - |
dc.subject.artist | Gibb, John | - |
dc.subject.artist | Velden, Petrus van der | - |
dc.subject.artist | Parekowhai, Michael | - |
dc.subject.artist | Hammond, Bill | - |
dc.subject.artist | Shepherd, Michael | - |
dc.subject.artist | Aberhart, Laurence | - |
dc.subject.artist | Matchitt, Para | - |
dc.subject.artist | Peryer, Peter | - |
dc.subject.artist | Binney, Don | - |
dc.subject.artist | Siddell, Peter | - |
dc.subject.artist | Angus, Rita | - |
dc.subject.artist | van Hout, Ronnie | - |
dc.subject.artist | O'Neill, Ani | - |
dc.subject.artist | Drummond, Andrew | - |
dc.subject.artist | Hodgkins, Frances | - |
dc.subject.artist | Smither, Michael | - |
dc.subject.artist | Harris, Jeffrey | - |
dc.subject.artwork | Dunedin 1850, View taken from Forbury Hill above Allandale (1850, Ellen Penelope Valpy) | - |
dc.subject.artwork | Designs of R.A. Lawson late 1860s ([n.d.], George O'Brien) | - |
dc.subject.artwork | Old Wellington Synagogue (1976, Don Binney) | - |
dc.subject.artwork | St Bathans (1988, Peter Peryer) | - |
dc.subject.artwork | Father/Son Relationship (1996, Ronnie Van Hout) | - |
dc.subject.artwork | Watching for Buller (1993, Bill Hammond) | - |
dc.subject.getty | paintings (visual works) | - |
dc.subject.getty | landscapes (representations) | - |
dc.subject.getty | sculpture (visual works) | - |
dc.subject.getty | curating | - |
dc.subject.getty | colonialism | - |
dc.subject.local | history | - |
dc.subject.local | Māori culture | - |
dcterms.spatial.venue | Museum of New Zealand Te Papa Tongarewa (Wellington, N.Z.) | - |
prism.publicationname | Art news (Auckland, N.Z.) | - |
prism.pagerange | 70-73 | - |
dc.subject.exhibition | Dream Collectors: 100 years of New Zealand Art (1999) | - |
prism.issuename | Winter | - |
Appears in Collections: | INZART: Inmagic collection (utf8) |
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