Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/586692
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DC FieldValueLanguage
dc.creatorEdmond, Martin-
dc.date2010-
dc.date.accessioned2017-06-30T05:13:22Z-
dc.date.available2017-06-30T05:13:22Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/586692-
dc.description4 colour-
dc.description.abstractMartin Edmond discusses the work of John Pule, in particular the two main influences Pule has mentioned on his work which are 'hiapo' (Niuean tapa cloth) and the New Zealand state house. His paintings from the 1990s, which often resemble hiapo, are a peculiar hybrid of Polynesian and European imagery, making Pule one of the most distinct and idiosyncratic voices to emerge from the Pacific diaspora.-
dc.formatphysical text-
dc.format.mediumImage-
dc.format.mediumText-
dc.languageEnglish-
dc.publisherINZART/The University of Auckland Library=Te Tumu Herenga-
dc.rightsCopyright restrictions apply-
dc.titleThe cloudscapes of John Pule-
dc.typeProfile-
prism.volume48-
prism.number1-
dc.identifier.inmagic85837-
dc.subject.articletypeJournal-
dc.subject.artistPule, John-
dc.subject.artworkArrival (2009, John Pule)-
dc.subject.artworkI will never leave you (2009, John Pule)-
dc.subject.artworkAnother green world (2006, John Pule)-
dc.subject.artworkI dreamed I kissed the ocean's lips (2009, John Pule)-
dc.subject.gettypaintings (visual works)-
dc.subject.localPacific art-
dc.subject.localNiuean art and culture-
prism.publicationnameArt and Australia-
prism.pagerange129-135-
prism.issuenameSpring-
Appears in Collections:INZART: Inmagic collection (utf8)

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