Please use this identifier to cite or link to this item:
https://superindex.lbr.auckland.ac.nz/handle/123456789/603922
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Clement, Tracey | - |
dc.contributor.author | Bennett, Lucinda | - |
dc.contributor.author | O'Neill, Emma | - |
dc.date | 2017 | - |
dc.date.accessioned | 2017-10-26T23:09:01Z | - |
dc.date.available | 2017-10-26T23:09:01Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/603922 | - |
dc.description | 20 colour. Includes portrait of John Walsh | - |
dc.description.abstract | Profiles New Zealand painter John Walsh. Reflects on his early development, enrolling at Ilam in Christchurch and early experiments with house paint. Discusses Walsh's depiction of New Zealand landscapes in relation to the effects of global warming. Describes works which depict mythic landscapes with fantastical elements. Curator Mark Hutchins-Pond explores the dreamlike qualities of Walsh's work. Gallerist, John Gow, reflects on his first encounter with Walsh's work in the exhibition 'Parihaka' (2000-2001). Discusses the reception of Walsh's work in the art market and less commonly in secondary sales. Matt Nache discusses Walsh's representation by PAULNACHE Gallery and describes Walsh's work in relation to mythologies and fables reflecting the artist's dual European and Māori heritage. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Traversing worlds | - |
dc.type | Profile | - |
dc.date.updated | 2017-10-26T23:09:01Z | - |
prism.number | 82 | - |
dc.subject.person | Hutchins-Pond, Mark | - |
dc.subject.person | Gow, John | - |
dc.subject.person | Nache, Matt | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Walsh, John | - |
dc.subject.artwork | State Asset (2012, John Walsh) | - |
dc.subject.artwork | Flying Moa (2017, John Walsh) | - |
dc.subject.artwork | First Star (2017, John Walsh) | - |
dc.subject.artwork | Mariner (2017, John Walsh) | - |
dc.subject.artwork | That Guy (2017, John Walsh) | - |
dc.subject.artwork | Pare To My Place (2017, John Walsh) | - |
dc.subject.artwork | Pare O Tane (2008, John Walsh) | - |
dc.subject.getty | paintings (visual works) | - |
dc.subject.getty | landscapes (representations) | - |
dc.subject.local | myths and legends | - |
dcterms.spatial.venue | Pataka Porirua Museum of Arts and Cultures | - |
dcterms.spatial.venue | City Gallery Wellington | - |
dcterms.spatial.venue | Dowse (Lower Hutt, N.Z.) | - |
dcterms.spatial.venue | PaulNache (Gisborne, N.Z.) | - |
prism.publicationname | Australian art collector | - |
prism.pagerange | 154-163 | - |
dc.subject.exhibition | Matakite (2016) | - |
dc.subject.exhibition | Parihaka: The Art of Passive Resistance (2000-2001) | - |
dc.subject.exhibition | Flying Solo (2009) | - |
dc.subject.iwi | Te Aitanga a Hauiti | - |
prism.issuename | October-December | - |
dc.description.indexer | Selina Foote | - |
Appears in Collections: | INZART: Sword Collection |
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.