1. University of Auckland SuperIndex 5.3
  2. INZART: Index to New Zealand Art
  3. INZART: Sword Collection
Please use this identifier to cite or link to this item: https://superindex.lbr.auckland.ac.nz/handle/123456789/604775
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DC FieldValueLanguage
dc.contributor.authorBaker, Kirsty-
dc.date2018-
dc.date.accessioned2018-05-22T01:31:19Z-
dc.date.available2018-05-22T01:31:19Z-
dc.identifier.urihttp://superindex.lbr.auckland.ac.nz//handle/123456789/604775-
dc.description4 colour-
dc.description5 b/w-
dc.description.abstractArticle discusses visual representation of the female body, linking critical theorist Laura Mulvey to works by Jan Nigro; 'The Object Series' (1974-75) by Alexis Hunter'; 'Gut reaction' (1981) by Di Ffrench; filmmaker Merata Mita and Māori women's art; and 'hardening' (2017) by Aliyah Winter. Reflects on Winter's video-based work speaking to the story of Dr Hjelmar von Danneville, and includes a discussion of gender, identity and transgression. Mentions 1986 exhibition 'Karanga Karanga' as a space for Māori women artists, with a quote from Merata Mita.-
dc.format.extentfull article-
dc.format.mediumtext-
dc.format.mediumimage-
dc.languageEnglish-
dc.publisherINZART / The University of Auckland Library = Te Tumu Herenga-
dc.rightsCopyright restrictions apply.-
dc.titleDisrupting the male gaze : Navigating female representation-
dc.date.updated2018-05-22T01:31:20Z-
prism.number166-
dc.description.notesThis essay is based on a talk entitled 'Disrupting the male gaze: New Zealand's women artists and female representation' given at Wellington's Katherine Mansfield House and Gardens in conjunction with the exhibition 'Reflections: New Zealand Women in Art' (2018)-
dc.subject.articletypejournal-
dc.subject.artistWinter, Aliyah-
dc.subject.artistFfrench, Di-
dc.subject.artistHunter, Alexis-
dc.subject.artistMita, Merata-
dc.subject.artistNigro, Jan-
dc.subject.artworkSummer Encounter (1968, Jan Nigro)-
dc.subject.artworkHaast Bridge (1968, Jan Nigro)-
dc.subject.artworkGut reaction (1981, Di Ffrench). Still-
dc.subject.artworkhardening (2017, Aliyah Winter). Stills and installation view-
dc.subject.gettyvideo art-
dc.subject.gettyperformance art-
dc.subject.gettyfeminism-
dc.subject.gettyidentity-
dc.subject.gettydrawings (visual works)-
dc.subject.localgender-
dc.subject.localMāori art-
dcterms.spatial.venueEnjoy (Wellington, N.Z.)-
prism.publicationnameArt New Zealand-
prism.pagerange84-88-
dc.subject.exhibitionhardening (2018)-
prism.issuenameWinter-
dc.description.indexerHuni Mancini-
Appears in Collections:INZART: Sword Collection

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