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https://superindex.lbr.auckland.ac.nz/handle/123456789/605351
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Ramage, Stella | - |
dc.date | 2018 | - |
dc.date.accessioned | 2018-11-12T22:47:28Z | - |
dc.date.available | 2018-11-12T22:47:28Z | - |
dc.identifier.uri | http://superindex.lbr.auckland.ac.nz//handle/123456789/605351 | - |
dc.description | 8 colour | - |
dc.description.abstract | Author reviews a selection of exhibitions in Wellington that mark 125 years since women gained the vote in New Zealand. Includes a review of 'The earth looks upon us/Ko Papatūānuku te matua o te tangata' (2018) at Adam Art Gallery which exhibits a younger generation of Māori women artists Nova Paul, Ngahuia Harrison, Ana Iti and Raukura Turei, who explore their relationships with whanau and whenua. Discusses 'Embodied Knowledge' (2018) at The Dowse, featuring works by Christine Hellyar, Maureen Lander, Vivian Lynn, Pauline Rhodes and the Estate of L. Budd. Looks at 'Margins & Satellites' (2018) at Enjoy featuring work by social historian Ella Sutherland who distils her research on low-budget publications made by gay and lesbian activist collectives from the 1970s-1990s. Article includes discussion of indigenous colonial experience and Māori women's art, 1980s feminist art in Aotearoa and the Lesbian and Gay Archives of New Zealand (LAGANZ) at the National Library. | - |
dc.format.extent | full article | - |
dc.format.medium | text | - |
dc.format.medium | image | - |
dc.language | English | - |
dc.publisher | INZART / The University of Auckland Library = Te Tumu Herenga | - |
dc.rights | Copyright restrictions apply. | - |
dc.title | Themes & generations : Commemorating Suffrage 125 across the capital | - |
dc.type | Exhibition review | - |
dc.date.updated | 2018-11-12T22:47:28Z | - |
prism.number | 168 | - |
dc.subject.person | Barton, Christina | - |
dc.subject.organisation | National Library of New Zealand | - |
dc.subject.articletype | journal | - |
dc.subject.artist | Paul, Nova | - |
dc.subject.artist | Harrison, Ngahuia | - |
dc.subject.artist | Iti, Ana | - |
dc.subject.artist | Turei, Raukura | - |
dc.subject.artist | Kahukiwa, Robyn | - |
dc.subject.artist | Hellyar, Christine | - |
dc.subject.artist | Lander, Maureen | - |
dc.subject.artist | Lynn, Vivian | - |
dc.subject.artist | Rhodes, Pauline | - |
dc.subject.artist | The Estate of L. Budd | - |
dc.subject.artist | Sutherland, Ella | - |
dc.subject.artwork | Te poho-o-Hine-Ruhi (in situ) (2018, Raukura Turei) | - |
dc.subject.artwork | Kowhai (mix) (2018, Ngahuia Harrison) | - |
dc.subject.artwork | Only fools are lonely (2018, Ana Iti) | - |
dc.subject.artwork | This Is Not Dying (2018, Nova Paul) | - |
dc.subject.artwork | Lamella Lamina (1983, Vivian Lynn) | - |
dc.subject.artwork | Extensum/Extensor (1982, Pauline Rhodes) | - |
dc.subject.artwork | Intensum/Many Voices (2018, Pauline Rhodes) | - |
dc.subject.artwork | After Pink Triangle (2018, Ella Sutherland) | - |
dc.subject.getty | feminism | - |
dc.subject.getty | indigenous art | - |
dc.subject.getty | ecological art | - |
dc.subject.local | Māori art | - |
dc.subject.local | gender | - |
dcterms.spatial.venue | Adam Art Gallery (Victoria University of Wellington) | - |
dcterms.spatial.venue | Dowse (Lower Hutt, N.Z.) | - |
dcterms.spatial.venue | Enjoy (Wellington, N.Z.) | - |
prism.publicationname | Art New Zealand | - |
prism.pagerange | 62-65 | - |
dc.subject.exhibition | The earth looks upon us : Ko Papatūānuku te matua o te tangata (2018) | - |
dc.subject.exhibition | Embodied Knowledge (2018) | - |
dc.subject.exhibition | Margins & Satellites (2018) | - |
dc.subject.iwi | Te Uriroroi | - |
dc.subject.iwi | Te Parawhau (Ngā Puhi) | - |
dc.subject.iwi | Ngā Puhi | - |
dc.subject.iwi | Ngāti Wai | - |
dc.subject.iwi | Te Rarawa | - |
prism.issuename | Summer | - |
dc.description.indexer | Huni Mancini | - |
Appears in Collections: | INZART: Sword Collection |
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